617 Hart, Ernest
Lectures on Japanese art work.1887.

SOCIETY FOR THE ENCOURAGEMENT OF ARTS, MANUFACTURES, AND COMMERCE. LECTURES ON JAPANESE ART WORK. BY ERNEST HART. DELIVERED BEFORE THE SOCIETY, MAY 4, 11, AND 18, 1886. WITH A CATALOGUE OF THE OBJECTS EXHIBITED, AND AN INDEX OF JAPANESE ARTISTS, &c.
LONDON: PRINTED BY W. TROUNCE, 10, GOUGH SQUARE, FLEET STREET, F. O. 1887.
iv, 43, lxii p. 26 cm.

[N/7350/Ha](00012454)


目  次
CONTENTS.
LECTURE I.
Introductory.
Existing literature.—Previous difficulties of study.—Importance of Japanese art works and identification of masters.—Defective classification of collections.—Contrast of ancient originals and modern imitations. 1
Section I.—Metals, Arms, and Armour.
Armour, Archaeological Period:—The Helmet of Kamatari, A. D. 668.—The Helmet of Hidesato, A. D. 940. Artistic Period:—The works of Miochin Munesuke.—Works of the Miochins in this collection.—Notes on the Miochins. 3
Section II.—Swords and Sword Mounts.
Their history, variety, and subjects.—Metals employed.—Sabre mounts.—Historical note on ancient swords and sword guards.—The old sword guards in iron preferred.—The works of Kaneiye, Nobuiye, Metada, the Gotos, and the school of Nara.—The works of Kinai and Tadamasa.—Translucent enamel introduced by Hirata Donin, 17th century. 6
Section III.—Sculpture in Wood.
The early Buddhist sculptures.—The Nio of Nara.—Statuettes.—Masks of No.—Netsukes, their subjects and periods.—Abundance of common imitation in ivory.—The old wood netsukes usually the finest.—Okimonos.—Some characterstics of Japanese art. 10
LECTURE II. Bronzes and Lacquers.
Hieratic and domestic bronzes. 14
Japanese lac and lacquer artists. 15
Historical notes on Japanese lac. 17
The Schools of Artists in Lac:—Koyetsu, Shunsho, Koma, Kajikawa, Koami, Yosei, Korin, Ritsuo. 19
Description of varieties and description of technique. 22
LECTURE III. Painting, Porcelain, and Pottery.
General remarks on the spirit and character of ancient Japanese painting. 26
Japanese Artists from the 5th to the 11th century:—Manriu, Kanaoka, Meicho. 26The Yamato and Tosa schools. 29
The Chinese school. 29
The Kano school. 30
The school of Matahei (popular). 31
The school of Korin. 32
The naturalistic Shijo school (school of Okio). 33
The Ukiyo school. 34
The old Japanese porcelain and faience. 36
Blue and white porcelain (Shonsui Gorudayu). 37
Porcelain decorated over the glaze (Tokuzayemon Kakiyemon). 37
The porcelain of Kameyama, Hirado, and Nabeshima. 38
Kutani porcelain. 38
Porcelain of Owari, or Seto porcelain. 39
Porcelain of Kyomizu (a suburb of Kioto). 39
Japanese pottery and faience. 39
The works and influence of Ninsei. 40
Kenzan, his work and influence. 41
The old Satsuma faience. 41
Conclusion. 43
APPENDIX.
Classified Catalogue of the Japanese Art Collection, lent for exhibition at the Society of Arts by Mr. Ernest Hart, May, 1886. ixl
Index of Artists, Marks, Signatures, &c. xlilxii

注  記
表紙裏に<LUZAC & CO., Oriental Booksellers and Publishers, 46, Gt. Russell Street, LONDON, W. C.>との書店ラベル。
後半部 p. xli-lxii に<INDEX OF ARTISTS, MARKS, SIGNATURES, ETC.>。ローマ字見出しに漢字表記を添える。


記載書誌
WENCKSTERN I, p. 157.