842
Bowes, James Lord (1834-1899)
Notes on shippo. 1895.
Notes on Shippo, A SEQUEL TO JAPANESE ENAMELS, BY JAMES L. BOWES, Author of Japanese Pottery, ETC.
LONDON: KEGAN PAUL, TRENCH, TR
BNER & CO. LIMITED, PATERNOSTER HOUSE, CHARING CROSS ROAD. 1895.
xii, 109, [1] p., [4] leaves of plates. 29 cm.
[NK/5015/Bo](00005078)
目 次
SYNOPSIS.
INTRODUCTION.
Abstract of Japanese Enamels: published 1884:
information available at that time.
1
Japanese description of the ware.
2
the origin, time, and place of manufacture then unknown.
2
paucity of information in native records.
2
statement that the art was introduced from China towards the close of XVI century.
2
definition of cloisonn
and champlev
enamels.
2
remarks about Chinese enamels.
2
division of Japanese cloisonn
enamels into three classes.
3
The Early Ware:
its characteristics in colouring and workmanship.
4
comparison with Chinese wares.
4
an interesting link with Chinese wares.
5
a decorative form common to Chinese and Japanese.
5
introduction of the art from China and not Corea.
5
The Middle-period Ware:
resemblance to the Early ware.
6
difference of both to Chinese works.
6
absence of information about.
7
suggestions as to the time when made.
7
varieties of the ware.
7
almost complete absence of signatures.
7
dates of arrival in Europe.
8
character of the decoration.
8
presence of the Imperial badges.
8
theory regarding their original home.
8
The Modern or Export Wares:
the earliest imitations of the older ware.
9
upon porcelain grounds.
9
their characteristics.
9
forgeries of Chinese dates.
9
examples shown at Paris in 1878.
9
the works of the Shippo Kuwai-sha.
10
upon copper grounds.
10
their characteristics.
10
their inferiority.
10
where made.
10
the objects, colouring, and workmanship.
10
names of the makers.
11
European imitations.
11
SHIPPO.
Glass Making:
its connection with the art of shippo.
12
its manufacture in Japan.
12
examples: IV to X centuries, or earlier.
12
official glass works.
12
decadence of the industry.
12
its revival.
12
by Namban, in A. D. 1570. 12
by Chinese, in A. D. 1624-1643. 12
The Mirror of Shomu:
the oldest example in Japan.
13
the mirror preserved at Nara.
13
its date, VIII century, or earlier.
13
illustration of it.
14
description of it.
15
its authenticity.
15
Dr. Dresser's account of it.
16
The Origoto of Chomei:
its date, XII century.
17
illustration of it.
18
description of it.
19
its authenticity.
19
its history.
19
Other Examples:
vases of shippo ruri, given by Yoshimasa, XV century.
20
meaning of ruri.
20
sword and armour, XVI century.
24, 25
a screen at Katsura palace, XVII century.
25
another screen at Nagoya castle, XVII century.
25
The Art in China:
according to Shuyen.
21
supposed introduction from Seiyo.
21
its description.
21
its resemblance to foreign inlaying.
21
The XVI Century:
visit of Mendez Pinto to Japan.
23
visit of Xavier and others.
23
embassy of Christian converts to Rome.
23
return with specimens of European art.
23
Venetian glass beads probably amongst them.
24
revival of glass making in Japan by Namban.
24, 25
The XVII Century:
introduction of Chinese methods of glass making.
27
character of the works made 1624-1643.
27
shippo beads then made.
27
the Hirata family founded by Donin.
27
doubt as to his having learned the art from Corea.
31
character of their works.
29, 30
the shippo bowl of the Emperor of Zui.
28, 29
The XVIII Century:
Many makers of shippo in Japan in 1781, or earlier.
29
beads (ojime) of shippo.
31
their character.
31
Sword Guards:
some of them signed.
32
significance of the signatures.
32
character of the guards.
32
The XIX Century:
the period of Tempo, 1830-1843.
33
decadence of art feeling at this time.
33
a revival of shippo working.
33
Kaji Tsunekichi settles in Owari.
33
his history.
33
said to have copied Oranda enamel.
34, 35
Father of enamel making.
35
the glazing of raku yaki.
36
pedigree of his pupils and successors.
37
the Shippo Kuwai-sha.
36
other modern makers and their works.
38
Signatures:
general absence of.
38
three examples of signatures.
39-41
an Owari maker's interpretation of them.
39
remarks thereupon.
39-41
Opinions about Shippo in Japan:
general non-acquaintance, except with modern.
41
scantiness of information in works of reference.
41-43
Views of the Earlier Visitors to Japan:
Sir Rutherford Alcock quoted.
43
Mr. J. Jackson Jarves quoted.
43
Dr. W. E. Griffis quoted.
44
Mr. R. Brudenell Carter quoted.
44
Views of more Recent Writers:
residents in Japan referred to.
45
reports of Japanese Commissioners to various exhibitions.
45
singular statement in The Real Japan.
46
Dr. Waagener quoted.
46
Mr. B. Hall Chamberlain quoted.
47
Dr. Rein quoted.
48
The Pretensions of Modern Makers:
claims by Owari and other modern makers analysed.
48-52
modern wares described.
51
The Latest Developments of the Industry:
the works of Namikawa Sosuke.
52
Professor Anderson quoted.
53
Conflicting Opinions:
the question of
pairs
and other matters as viewed by critics in Japan.
53-56
Conclusions.
56-61
APPENDIX.
Glass Making.
65-71
Forms and Uses of Enamel Works.
72-75
Signatures and other Marks.
76-78
The Hirata Family:
introduction.
79-81
the character of their works.
81-85
signed works.
85-94
unsigned works.
94
the genealogy of the family.
95-103
pupils of the family.
104-108
the Hirata family of Awa.
109
Notes:
the division of Japanese art into periods.
3
a traditionary shippo temple.
9
Namban.
12
shippo dei, or opaque enamel.
15
shippo and its various names.
15
ojime, inro, &c.
30
Oranda.
34
the kakihan.
103
注 記
遊び紙第 2 葉に書き込み。
本文中に漢字仮名印刷多数。
p. 12 に＜JAPANESE SWORDS Records Of Ancient Treasures＞との見出しの英字新聞記事切り抜きの挿入紙。
日本関係図書（巻末書店広告）
BY THE SAME AUTHOR.
Japanese Pottery.
Japanese Pottery, special edition.
Japanese Marks and Seals.
Japanese Enamels.
Keramic Art of Japan.
Keramic Art of Japan, 2 vols.
Keramic Art of Japan, French edition, 2 vols.
A Vindication of the Decorated Pottery of Japan.
Handbook to the Bowes Museum.
KEGAN PAUL TRENCH TR
BNER & CO. LIMITED, LONDON.
記載書誌
WENCKSTERN II, p. 268.